It's been a long time since we've taken a look at a percussion library like Idiophones. For most who have made the transition from real orchestra writing to "in-the-box" writing,…
Recently, we were tasked with a difficult problem on a film we were working on. The editing staff had done a splendid job of inserting layers of sound effects, ambiences,…
Having a single plugin that handles a multitude of problems is great on many levels: less CPU load, one place to find everything you need, ease of use. And until…
Having a single plugin that handles a multitude of problems is great on many levels: less CPU load, one place to find everything you need, ease of use. And until…
Dealing with bad audio in post is, sadly, like hamburgers and fries: they usually go together a lot. Usually super-sized. Having the ability to have a great and effecting denoiser…
Limiters have been around since the 60's. They're an integral part of every music producer's arsenal, and they've been the guardian of staying under zero dB for at least that…
Compressors have been around since the 60's. They're an integral part of every music producer's arsenal. It's no less so for post production. If you don't have great sounding and…
We don't often use reverb when editing in a non linear editor. It's generally relegated to heavy-duty mix sessions where we have to blend ADR with on-set sound. But if…
Sure. We use crossfades every day for just about any kind of clip healing. We do the same thing for audio clips as well. But there's more than one choice…
We don't often use reverb when editing in a non linear editor. It's generally relegated to heavy-duty mix sessions where we have to blend ADR with on-set sound. But if…
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