Not too long ago, one of my filmmaker friends called about the trouble he was having with the post production audio company he had hired. … Continue Reading 6 Things You Must DEMAND From Your Post Audio Company
Recently, we had a Cinema Sound Member have some issues with his re-recording work sound as he expected in a theater. We answered his questions … Continue Reading 9 Checks to Make Sure Your Surround 5.1 Mix Translates
There Goes the Neighborhood: the T-Mob has moved in…and they’re taking over. I’ve been screaming at you all about the coming wireless apocalypse: where the … Continue Reading The Tyranny of T-Mobile: Get Out of 600 Mhz Now!
Hearing is a physical and analog process. High and low sound pressures hit a diaphragm that transduces those pressures to bones that goes to a … Continue Reading The Thing You’re Doing Wrong Listening to Compression
While it’s true Cinema Sound is for filmmakers, and most of what we talk about here doesn’t apply very well to music, this article will … Continue Reading Music Mastering: Why You MUST Have It For Your Project
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us where surround sound positions for speakers should be in a room in … Continue Reading The Correct 5.1 & 7.1 Surround Sound Positions for Speakers
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us what we should and shouldn’t send to camera while on set in … Continue Reading What Sound to Send to Camera While On Set
At Cinema Sound we just burned over three days of our lives with a dead main studio computer, because we thought we could install Mac … Continue Reading WARNING: DO NOT Upgrade to Mac OS High Sierra!
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us how to organize and route masters and busses in a mix to … Continue Reading Learn How to Organize Tracks for Making Deliverables Quick and Easy
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us how music mixing for PICTURE works, how to master it, and how … Continue Reading Music Mixing for Picture from 256 Channel Mix of Blade of Honor
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us how to organize and master your mix and learn how each discipline … Continue Reading Learn How to Mix from 256 Channel Blade of Honor
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us how to understand the nature of foley and sound effectsnd how to … Continue Reading Understanding the Foley and SFX of Blade of Honor
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us the organization and best practices for adding reverb to dialog Waves Audio … Continue Reading Mixing Reverb into Dialog with Waves Audio in Blade of Honor
In this clip, audio guru Mark Edward Lewis shows us how to balance dialog with the age-old trick of series compression using Waves Audio R-compressor … Continue Reading Balancing Dialog with Waves Audio R Compressor & Vocal Rider
In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us how deal with and edit audio ambience and how to create them … Continue Reading Audio Ambience Creation with Blade of Honor
This month, in the prestigious “Post magazine,” Cinema Sound has a one page feature. Taking the form of an interview with Mark Edward Lewis, it … Continue Reading Cinema Sound in Post Magazine’s January Issue