Sure. We use crossfades every day for just about any kind of clip healing. We do the same thing for audio clips as well. But there's more than one choice…
We don't often use reverb when editing in a non linear editor. It's generally relegated to heavy-duty mix sessions where we have to blend ADR with on-set sound. But if…
Getting great sounding dialog is the holy grail of both mixing and editing. The trouble is, nobody records good sounding dialog any more, and so we must, in post, try…
Compression is a foundational process for mixing whether in post production or music. Compression allows sound to be beautifully contoured, made muddy or snappy and a dozen other critical attributes…
Getting great sounding dialog is the holy grail of both mixing and editing. The trouble is, nobody records good sounding dialog any more, and so we must, in post, try…
When mixing larger format projects, it becomes incredibly important to have a Digital Audio Workstation or Non Linear Editor that has flexibility and capability in its audio bus architecture. So…
Compressor Audio Plugins are a dime-a-dozen. There's a billion choices especially in Digital Audio Workstations. But in a Non-Linear Editor, this is rarely the case. One or two choices at…
When the Essential Sound Panel came to Premiere Pro, it was a game changer. The ability to quickly and easily get great sound with little knowledge of mixing or audio…
In the Cinema Sound Education, we normally discourage the use of on-clip audio plugins. It can make for a very cumbersome and time consuming mix process. After all, if the…
Mark takes us through an easy setup and implementation of the good sound capabilities of Premiere Pro WITHOUT using the Essential Sound Panel.
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