Interviews with Composers Jason & Nolan Livesay
In this series of videos, Mark Edward Lewis interviews successful composers Jason & Nolan Livesay to find out what it takes to make it as composers in Hollywood, and learn…
Film Scoring How To: Reverse Engineering John Williams Woodwinds
This video shows you a trick which 98% of film composers NEVER USE - and have forgotten how to use - but the great film composers ALWAYS use it! In…
Film Scoring How To: Orchestral Template Woodwinds
This video shows you a trick which 86% of film composers NEVER USE. In this video, award winning composer and presenter for Cinema Sound shows us another video in the…
Film Scoring How To: Using Piccolo – Forgotten Woodwinds
This video shows you a trick which 87% of film composers NEVER USE - and have forgotten how to use - but the great film composers ALWAYS use it. In…
Film Scoring How To: Orchestral Template Strings
This video shows you a trick which 86% of film composers NEVER USE. In this video, award winning composer and presenter for Cinema Sound shows us another video in the…
Film Scoring How To: Orchestral Template Percussion
This video shows you a trick which 86% of film composers NEVER USE. In this video, award winning composer and presenter for Cinema Sound shows us another video in the…
Film Scoring How To: Orchestral Template Brass
This video shows you a trick which 86% of film composers NEVER USE. In this video, award winning composer and presenter for Cinema Sound shows us another video in the…
Film Scoring How To: Using Oboe – Forgotten Woodwinds
This video shows you a trick which 97% of film composers NEVER USE - and have forgotten how to use - but the great film composers ALWAYS use it. In…
Film Scoring How To: What’s the Best Action Cue Time Meter?
This video shows you a trick which 99% of film composers NEVER USE - and have forgotten how to use - but the great film composers ALWAYS use it. In…
Film Scoring How To: Using Bassoon – Forgotten Woodwinds
This video shows you a trick which 93% of film composers NEVER USE - and have forgotten how to use - but the great film composers ALWAYS use it. In…
