If you’ve spent any time on the Cinema Sound website you know we use iZotope’s RX product like a religion. So does most of the … Continue Reading iZotope RX-6 Powerhouse Released – NAB 2017
One of the current frustrations using Adobe Audition is the lack of any MIDI implementation outside of controllers. In this article I’ll show you an … Continue Reading The Audition MIDI Hack for Sound Effects
In the last articles we discussed the basics around audio data delivery and RAID systems. Now we’re going to cover the different kinds of RAID … Continue Reading 9 Audio Storage Myths Burned- Part 3
To be honest, I’d never used a Zaxcom unit until NAB 2017. In fact, while we were interviewing them for NewsShooter.com I was on a … Continue Reading Zaxcom Reinventing Wireless – NAB 2017
I’ve been using Triad-Orbit stands since I was first introduced to them at Michael Lehmann Boddicker’s studio (soon to be interviewed here) Sol 7 Mix … Continue Reading Triad-Orbit Advanced Stand Systems – NAB 2017
If you’re like me you use “Rycotes” every day on set. “Undercovers,” “donuts” and “stickies.” They’re great. The only trouble with them is when an … Continue Reading Rycote Gets Even Stickier – NAB 2017
There have been 8-million reviews of the Røde Filmmaker Kit and its Transmitter (TX), Receiver (RX) and lavalier mic. One great review is from Matthew … Continue Reading Røde Filmmaker Kit: In the Field: NAB 2017
Finding a do-it-all stand alone program that manages the majority of your audio issues is difficult. Back in the “old days” we had programs like … Continue Reading Review: ReSample from 2nd Sense
While it’s true that there is no sound in space, making silent space dramas ended with Kubrick in 2001. Sound Effects Secrets (or its creation) … Continue Reading 7 Sound Effects Secrets for Sci-Fi
There’s a whole lot of misinformation about surround mixing sound – or any surround format. Almost all of it can be handled in our store … Continue Reading Surround Mixing in 5.1 – Revealed
In the last part of this article we covered the basics around what makes audio file data delivery different, and what to look out for. … Continue Reading 9 Audio Storage Myths Burned- Part 2
You’re a filmmaker. You’ve got to deal with Terabytes of information, and you have to be able to deliver it at sometimes over 150 Megabytes … Continue Reading 9 Audio Storage Myths Burned- Part 1
The 2017 NAB Show in Las Vegas, Nevada is looking like it’s going to be filled with all kinds of new releases from our favorite … Continue Reading NAB Gear & Excitement Is Coming!
Premiere to Audio Export Issue Be Warned! Whenever I run into something while working which you all must know immediately, I always think of the … Continue Reading FLASH! AH-AH! Premiere Export Protocols!
This is the second part of this article. In this part we cover ADR, Editorial mixing and False Economy. #4: Doing ADR instead of Looping … Continue Reading 6 Things You Do Which Kill Post Production: Part 2
Production resources are precious. Post Production resources are even more so. Many independent productions fail to plan their post production expecting it to all just … Continue Reading 6 Things You Do Which Kill Post Production: Part 1