Premiere Pro: The Good Sound Button
Creating great sound isn't always easy to do. If there were such a thing as having a "good sound button" you could press to get great sound on everything in…
Creating great sound isn't always easy to do. If there were such a thing as having a "good sound button" you could press to get great sound on everything in…
Mark has recorded several live chapters of the mix of the Star Trek Axanar Trailer - a large format mix started and completed in Adobe Audition. It's also done completely…
Adobe Audition users know that the maximum multichannel output that can be used is 5.1. But with the addition of a little plugin called Spatial Audio Designer, you can expand…
We've been preaching the virtues of cutting audio using Digital Audio Workstations over Non-Linear Editors for years. Naturally, DAWs have all the muscle you want and none of the fat…
For years now we've been talking about which NLE or DAW is the "best one." "This one has this" and "that one has that." In the end, for the most…
We've been talking for years about the virtues of Adobe Audition. How, if you've got Photoshop, you've got this amazing Digital Audio Workstation already built into your plan - for…
For years we've been talking about all the Adobe AV products: Premiere Pro, Audition, After Effects, Media Encoder. We've recently started exploring Adobe Rush and we're really surprised at what…
Speeding up your DAW is always a good idea even if you aren't using a plethora of tracks. Add a bunch of plugins and busses, and even the most simple…
In these videos, Cinema Sound runs up HIGH NOON, and pits the Acusons ERA- D plugin group against the built-in Adobe Audition plugins in a Showdown. Find out for yourself…
In this video from www.cinemasound.com, audio guru Mark Edward Lewis demos for us how the AU/VST "reverb" plugin Convology XT revolutionizes dialog mixing especially with ADR and VO by allowing…