Mixing a teaser for the internet is a process which takes much more than just putting faders to zero in your NLE and exporting - if you want to compete.…
There’s nothing worse that getting into the mix and trying to make the ADR sound like the room the actors are in. Unless you have a cold. Then it’s worse.…
Sure. You spent four years in film school and learned a ton. Trouble is, many times film schools these days are more committed to taking your money than giving you…
Mic bumps are the bane of recording regardless of the kind or make of microphone used. If you bump the mic during a take, you've got a problem. In this…
I've had a few members ask me questions about live implementation of sound. While Cinema Sound is primarily a hub for filmmakers, every now then I think it's okay to…
If you've spent any time on the Cinema Sound website you know we use iZotope's RX product like a religion. So does most of the film community. It's incredible what…
This is the second part of this article. In this part we cover ADR, Editorial mixing and False Economy. #4: Doing ADR instead of Looping What's ADR? It's the process of…
Production resources are precious. Post Production resources are even more so. Many independent productions fail to plan their post production expecting it to all just "work out." Whether from lack…
I stumbled across this blog entry from ANLEB - and it's dope. I’m pretty opinionated (as I’m sure you’ve figured out) and not everything I think is right is appreciated…
For the purposes of education, we shot five short films for the Pro Members Education. These consisted of an action sequence, a scene on the beach, a scene in a…
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