Mixing in stereo is far more difficult than mixing in surround in many ways. Mixing for the internet is more difficult yet. In this video clip, I give you the…
On the Sound Advice Tour we demonstrated how to misuse software to obtain amazing new soundscapes from ordinary recordings. In this article we revisit that conversation, and I'll be revealing…
Ambiences and Room Tone tracks are some of the most misunderstood aspects of audio mixing there are. Worse, they get confused as the same thing or the other thing, and…
Until we started shooting the Cinema Sound education in Texas, I had no knowledge of the H2N from Zoom. I’d always wished for some easy solution for surround recording, but…
Sure. You spent four years in film school and learned a ton. Trouble is, many times film schools these days are more committed to taking your money than giving you…
Foley is Fun. Foley is Frustrating. Foley is Fundamental. Foley must be done in order to create the fifty million dollar impact you're project deserves. Tweet: If immersion is the…
There is a vast array of reverb plugins available to the modern filmmaker. As we've discussed in previous articles, knowing how to test for great value among reverbs is critical.…
One of the current frustrations using Adobe Audition is the lack of any MIDI implementation outside of controllers. In this article I'll show you an Audition MIDI Hack which can…
While it's true that there is no sound in space, making silent space dramas ended with Kubrick in 2001. Sound Effects Secrets (or its creation) are the basis for world-building…
This is the second part of this article. In this part we cover ADR, Editorial mixing and False Economy. #4: Doing ADR instead of Looping What's ADR? It's the process of…
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