If you ask many editors, they'll tell you they can "do the audio mix for your independent project." If you've spent any time watching the Pro Member Education you know…
In this article I'm going to cover the specifics around what independent filmmakers need to know about the itemized portions of the cost of sound post. I'm also covering this…
Folks say that sight is our most precious sense as human beings. While that may be true in every day life, I'd argue that unless you're making silent films, the…
At the top of the food chain of dynamics processing is the multiband compressor. Really many compressors mashed into one, these giants of processing power can suavely and smoothly contour…
As I've said before, compression is the "audio combustion" in a mix. Without compression, it's quite difficult to create contour of a track or series of tracks. Also, each compressor…
Limiters are what make great mixes sound loud without distortion, take the unruly crack out of gun shots and punches and are the blade of the transient haircut in a…
Sometimes we are forced to use sounds which are too pristine to work in our projects. Having atypical sound for a period film takes the audience out of the story…
Mixing in stereo is far more difficult than mixing in surround in many ways. Mixing for the internet is more difficult yet. In this video clip, I give you the…
Mixing a teaser for the internet is a process which takes much more than just putting faders to zero in your NLE and exporting - if you want to compete.…
Audio mixing is the most important part of any production. It is where all the elements come together, and when we get it right, it pays off dividends like no…
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