When mixing larger format projects, it becomes incredibly important to have a Digital Audio Workstation or Non Linear Editor that has flexibility and capability in its audio bus architecture. So…
Compressor Audio Plugins are a dime-a-dozen. There's a billion choices especially in Digital Audio Workstations. But in a Non-Linear Editor, this is rarely the case. One or two choices at…
In the Cinema Sound Education, we normally discourage the use of on-clip audio plugins. It can make for a very cumbersome and time consuming mix process. After all, if the…
For years now we've been talking about which NLE or DAW is the "best one." "This one has this" and "that one has that." In the end, for the most…
In the myriad of Adobe Audio Video apps, which one do you use to get the best editing and audio results? This article covers the Pros and Cons of using…
In this video, Cinema Sound presenter Mark Edward Lewis jumps out of the usual audio expertise and shows us the most important three editing disciplines independent media creatives need to…
In this video, senior presenter for Cinema Sound Mark Edward Lewis shows us how to easily create crazy robot dialog from ADR and VO using plugins from Avid and iZotope…
In this video, Cinema Sound's main presenter Mark Edward Lewis talks about the importance of organizing your audio clips in the timeline for saving money in post for your audio…
This is a brief excerpt from the comprehensive 85+ hour education available at Cinema Sound sponsored by Adobe, Harman, JBL, Soundcraft, Saramonic, Waves Audio, Slate Digital and many more on…
This is a brief excerpt from the comprehensive 85+ hour education available at Cinema Sound sponsored by Adobe, Harman, JBL, Soundcraft, Saramonic, Waves Audio, Slate Digital and many more on…
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