In the last parts of this article we’ve covered the important considerations around audio data delivery systems including RAID use and types. In this article I’m going to give you…
If you've spent any time on the Cinema Sound website you know we use iZotope's RX product like a religion. So does most of the film community. It's incredible what…
One of the current frustrations using Adobe Audition is the lack of any MIDI implementation outside of controllers. In this article I'll show you an Audition MIDI Hack which can…
In the last articles we discussed the basics around audio data delivery and RAID systems. Now we’re going to cover the different kinds of RAID systems I’d recommend for audio,…
To be honest, I'd never used a Zaxcom unit until NAB 2017. In fact, while we were interviewing them for NewsShooter.com I was on a Rode Filmmaker Kit - which…
I've been using Triad-Orbit stands since I was first introduced to them at Michael Lehmann Boddicker's studio (soon to be interviewed here) Sol 7 Mix & Post. They're not new,…
If you're like me you use "Rycotes" every day on set. "Undercovers," "donuts" and "stickies." They're great. The only trouble with them is when an actor starts sweating, those wonderfully…
There have been 8-million reviews of the Røde Filmmaker Kit and its Transmitter (TX), Receiver (RX) and lavalier mic. One great review is from Matthew Allard at Newsshooter.com and if…
Finding a do-it-all stand alone program that manages the majority of your audio issues is difficult. Back in the "old days" we had programs like Peak or Sound Designer (for…
While it's true that there is no sound in space, making silent space dramas ended with Kubrick in 2001. Sound Effects Secrets (or its creation) are the basis for world-building…
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