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Adobe Premiere Pro Audio Presets

We’ve spoken about the Adobe Premiere Pro Presets in earlier posts on the Cinema Sound site, but we can’t tell you how awesome they are, and how much of the Hollywood value they bring to your timelines.

So much of the time, doing audio in an NLE is tricky – and sometimes just difficult. Although modern NLE’s are getting better about helping the editor manage audio with the addition of track based automation, built-in audio syncing without timecode and great native plugins, without a way to really get fast at manipulation of sound, it’s often too difficult to even delve into dealing with audio in the modern NLE. As a result, directors, producers and customers don’t get the “first viewing impact” which they might have otherwise received with credible audio.

While Adobe Premiere Pro now has the awesome Essential Sound Panel which has its own built-in presets and great capabilities, it’s a great tool for taking care general issues like noisiness, overall compression, reasonable EQ and enhancement. But what if you want to create Distance To Camera mixing? What if you need expansion? What if you need a clever combination of plugins which creates a “James Earl Jones” sound to a voice? What about being able to apply all of these settings to any discipline of audio clip? We love the ESP, but the Cinema Sound Premiere Pro Audio Preset library creates super fast capabilities on clips with amazing results. And what’s even better is you can also use the ESP panel WITH the presets!

Click here to be taken to the Adobe Premiere Pro Audio Preset page and download your presets and get the Hollywood advantage today!

The list of presets you’ll receive include:

 

  • Single Presets:
  • EQ:
  • DX:
  • Female Boost
  • Female Cut
  • Female Edge
  • Female Smooth
  • Male Boost
  • Male Cut
  • Male Edge
  • Male Smooth
  • Sibilance Shredder Female
  • Sibilance Shredder Male
  • General:
  • DTC Close Up
  • DTC ECU
  • DTC Far
  • DTC Medium
  • DX Notch (Female)
  • DX Notch (Male)
  • Hum Removal
  • In the Next Room
  • LFE Rolloff
  • Loudness Contour
  • Phone
  • SFX Notch
  • MX:
  • Mark Murphy
  • Orchestral Edge
  • Orchestral Shrill
  • Orchestral Smooth
  • Orchestral Thump
  • Pop Edge
  • Pop Shrill
  • Pop Smooth
  • Pop Thump
  • Pop Thump Internet
  • SFX:
  • Crush
  • Deafening
  • Edge
  • Explosion Thump
  • Only Highs
  • Only Lows
  • Only Mids
  • Smooth
  • MultiBand Compressors
  • DX:
  • Hi/Lo CRUNCH (Female)
  • Hi/Lo CRUNCH (Male)
  • Hi/Lo Crush (Female)
  • Hi/Lo Crush (Male)
  • Hi/Lo Snap (Female)
  • Hi/Lo Snap (Male)
  • Highs & Lows Smoothed (female)
  • Highs & Lows Smoothed (male)
  • James Earl Jones
  • Knife-Edge
  • Roar
  • Sibilance
  • General:
  • Cascading MB Compression A
  • Cascading MB Compression B
  • Loudness Contour & Control
  • Pump the Edger
  • Pump the Lows
  • Gentle Contour
  • Pump the Roar
  • Pump the Sibilance
  • White Knuckler MB Crush
  • White Knuckler MB Slam
  • MIX:
  • Easy Mastering MB Compression
  • Medium MB Mastering
  • Snappy MIX!
  • MX
  • Mark Murphy
  • Notch DX EQ
  • Limiters
  • Internet Limiter 1
  • Internet Limiter 2
  • Inter Limiter Puncy
  • Mix:
  • DVD-BRD Limiting
  • Cinema Limiting
  • Get the Call from QC
  • Expanders
  • DX Easy Clean Room
  • DX Noisy Room
  • Reverb Cut Off
  • SFX Reverb Cut Off
  • Single-Band Compressors
  • DX: Easy Dialog
  • General
  • Cascading Compression A
  • Cascading Compression B
  • Crushing
  • Smooth & Easy
  • Snappy
  • White Knuckler Crush
  • White Knuckler Punch
  • MIX: Easy Master Compression
  • SFX
  • Extend Length
  • Shorten Length
  • Snap Attack
  • Crush Attack
  • Combinations
  • DX
  • Bad Phone
  • Cate Blanchette
  • Catherine Zeta-Jones
  • Cops
  • Dialog Leveling
  • Edgy Female
  • Edgy Male
  • James Earl Jones
  • Liam Neeson
  • Lily Tomlin
  • Martin Short
  • Next Room
  • Silvery Sibiliance
  • Smooth
  • The Canyon
  • Tom Cruise
  • Trailer VO
  • General
  • Contour
  • Contour & Control
  • Contour & Cooked
  • Control
  • Control & Darken
  • Control and Brighten
  • Control and Edge
  • Control and Roar
  • Master Easy Feature
  • MIX
  • Contour DVD/BRD
  • Contour Feature
  • Contour Internet
  • Easy DVD/BRD
  • Edgy DVD/BRD
  • Edgy Feature
  • Edgy Internet
  • Flat Internet
  • MAXIMUM INTERNET
  • Silvery DVD/BRD
  • Silvery Feature
  • Silvery Internet
  • Thumpy DVD/BRD
  • Thump Feature
  • Thumpy Internet
  • Trailer Park
  • MX
  • Beautiful Contour
  • Contour
  • Contour & Control
  • Country/Folk
  • Jazz
  • Mark Murphy
  • Mark Murphy (pop)
  • Metal
  • Rap
  • Techno
  • SFX
  • Beautiful Contour
  • Dynamics? What Dynamics?
  • Edge Takeover
  • Edgy and a little Cooked
  • Godzilla Stomp
  • High Takeover
  • Low Takeover
  • Roar Takeover
  • Smooth & Loud
  • Snap-Slap
  • Snap-Wack
  • Snap-Whip
  • The Godzilla Roar
  • The Insectoid
  • Snap-Thump
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